tap dance artist

official website

Artist Statement

Music is my path, and I have devoted my artistic journey to exploring the human body as the original instrument of the world through Tap Dance improvisation and Body Percussion.

Paired with live music collaboration, you get what I like to call the Sole Music Collective: music from the heart and soul made by the soles of the feet.

Music and dance are the universal languages of the world, and by participating in both simultaneously as a percussive dancer, I find myself in the role of storyteller.

The stories I tell span from introspective exploration to explosive energetic release, each one influenced by reality and carried forward by imagination.

These stories are brought to life by three characters that I step into.

One is inspired by my studies of Buddhism and Stoicism, with themes ranging from impermanence to meditation. Another is shaped by my upbringing as a native Jersey Girl, with a colorful vocabulary, and a flair for speaking the truth. The third is a magician who pulls the entire audience into the act before they’ve realized it even happened, a bit of a trickster who loves to make people laugh.

The fourth wall doesn’t exist in my work because I like to speak directly to the audience, one-to-one. The language I use to communicate? Music and dance.

All of my work is performed with live music, and this is where the collective aspect of the Sole Music Collective comes in. Pianist, Bassist, Drummer, Ukulele Singer-Songwriter, Trombonist, Percussionist, Gumboots Dancer… the list of amazing collaborators that I’ve had the great joy to work with is long and I give thanks for having had the opportunity to make music with a long list of amazing artists who have opened my eyes, ears, and heart.

With performances ranging from a 10-minute set on the proscenium stage, to a 75-minute touring theatre show with a Jazz rhythm section, to a 2-hour folk music house-concert on the rooftop of the penthouse suite, I improvise and adapt.


Jersey (New) Moves Fellowship 2019/2020/2021

2017 Individual Artist Fellowship - New Jersey State Council on the Arts

2017 COLAB Arts Choreography Residency



The Wycliffe Gordon, award-winning Trombonist

Jersey New Moes, NJPAC

Marvin Hamlisch, award-winning Composer
Big Bad Voodoo Daddy

Emily Braden, Soul Walk The Show

Nancy Harmes, Hallelujah

Jennifer Vincent, Habanera

Carolyn Dorfman Dance, Up Close & Personal
Rhythm is Our Business, Director Derick K. Grant
Rhythm in the Night, Boston Tap Company
W-L-U-V, Director Christopher Scott
Gabriel Hermida, Argentinian Guitarist
Conversations, Director Heather Cornell

New Dance Alliance, Director Roxane Butterfly
Harlem Stage’s E-Moves
JC Hopkins Biggish Band
Nat Adderley Jr, award-winning Pianist
Princeton Symphony Orchestra
New Jersey Symphony Orchestra
Sonnets on Tap, Director Awoye Timpo


Hillary-Marie's Sole Music Collective (Director since 2015)
FutureSTEP Tap Company (Director since 2016)
Grooves Unlimited Dance Studio (Director since 2012)
A.C.G.I., Director Jason Samuels Smith
Sophisticated Ladies, Director Dormeshia Sumbry-Edwards
The Above Ground Project, Director Maurice Chestnut
Tap Phonics, Director Lisa LaTouche
NJTAP Ensemble, Director Deborah Mitchell


JAM Project, DC (2017, 2018, 2020)

Brazil International Tap Festival (2019)

Rock City Tap Fest, Ohio (2016, 2018)

Paris Tap Crew, France (2015, 2018)

Escola Luthier de Dansa, Spain (2018)

Old Kent Road, UK (2018)

Claque Tap Studio, Spain (2018)

Lindy Focus, North Carolina (2014, 2016-2017)
Big Apple Tap Festival, NYC (2014-2015, 2017)
Westobou Festival (2017)
CTTap Collective (2014-2017)
Dance On The Lawn (2017)
Resonance Tap Convention (2017)
NADAA, Greater NY Chapter (2015-2017)
Jersey Tap Fest, New Jersey (director since 2010)
BOGOTap, Colombia (2017)
NJHS Dance Festival (2017)
New Dance Alliance, NYC (2016)
The Krazy Tap, Taiwan (2016)
MadTap, Spain (2015)
Jimmy Slyde Institute, Spain (2015)
House of Hoofing, Sweden (2015)
Centro De Danza, Honduras (2015)
Tap Ahead Festival, Germany (2014)
Cien Ritmos un Paso, Guatemala (2014)
Anguilla Jazz Boat, Anguilla (2013)
Philly Tap Challenge, Pennsylvania (2011, 2013)


The Power of Times Square (Anchor Light)
30 Rock (NBC)
Inside New York City Dance (MMN)
The Colbert Report (Comedy Central)
SwiftXKey (Android Central)


Hillary-Marie is a tap dance artist, a visual music maker who celebrates music and dance as the universal languages of the world. One of the most accomplished tap dance artists and tap dance producers in America, she is an award-winning, internationally acclaimed soloist and at age 17 founded Jersey Tap Fest, named the Best Place to See Live Dance in New Jersey by New Jersey Stage. Hillary-Marie is also the co-owner and Artistic Director of the Tap Dance Program at Grooves Unlimited Dance Studio, established in 2012, the only dance studio in the United States to be entirely dedicated to Hip-Hop and Tap Dance, home of FutureSTEP Tap Company, a pre-professional tap dance company for tap dancers ages 10-25. Hillary-Marie’s collaborative group Hillary-Marie’s Sole Music Collective has been touring together since 2015 and she has also been educating tap dancers and tap teachers around the world via iTapOnline.com since 2016. She has served as Adjunct Professor at Montclair State University and guest faculty at Alvin Ailey and STEPS

Hillary-Marie’s dancing has been described as ‘like feathers with steel bones’ due to her combination of strength and grace. She has also been called ‘a brilliant artist’ and in 2017 received an Individual Artist Fellowship in Choreography from the New Jersey State Council on the Arts, one of their most competitive awards, and is currently a Jersey (New) Moves Fellow at NJPAC (2019-2022)

A native of New Jersey, Hillary-Marie has been recognized by and featured in the New York Times, Star Ledger, Dance Studio Life Magazine, Dance Spirit Magazine and Dance Teacher Magazine. She has performed on The Colbert Report, for Estee Lauder and 30 Rock, and has given a TedxTalk about her experience as an artist-entrepreneur. Hillary-Marie has appeared at the Apollo Theater, Jazz at Lincoln Center, Highline Ballroom, Copacabana, NJ State Theater, NJPAC, SOPAC, Symphony Space, many other prestigious theatrical and live music venues along the American east coast, as well as Tap and Jazz festivals in Europe, Central America, Asia and throughout the U.S. For many years, she performed weekly at Harlem’s Cotton Club as a part of Bessie-award winner Dormeshia Sumbry-Edwards’ group “Sophisticated Ladies”, and previously worked with Emmy-award winning artist Jason Samuels Smith (A.C.G.I.) as well as Derick K. Grant (Rhythm Is Our Business). She has performed with Big Bad Voodoo Daddy and with trombonist Wycliffe Gordon. Before his death she performed with award-winning composer of A Chorus Line, Marvin Hamlisch, and has danced with Heather Cornell (Conversations), Roxane Butterfly (New Dance Alliance), Maurice Chestnut (Above Ground Project), Christopher Scott (W-L-U-V), Lisa LaTouche (Tap Phonics), the Boston Tap Company (Rhythm in the Night), the NJTAP Dance Ensemble, Nat Adderley Jr., and both the Princeton and New Jersey Symphony Orchestras.

Writing about Soul Walk, Hillary-Marie’s debut full-length show, renowned dance critic Robert Johnson said: ‘Some performers travel with their own atmosphere, a rosy bubble that floats off the stage and envelops the crowd allowing grateful viewers to forget where they are. Tap dancer Hillary-Marie and her accomplices do that’. She has since premiered Hillary-Marie’s Sole Music Collective and an additional full-length work titled VIBE – a celebration of tap dance as a universal energy and language of the world; a show that Dance Metro DC says ‘serves as a springboard for locating tap dance within a concert dance context… serving to truly bring the house down.’ Hillary-Marie’s Sole Music Collective is also host to the #Herspective video series. Within Sole Music Collective, Hillary-Marie has collaborated with vocalists Emily Braden and Nancy Harmes, bassist Jennifer Vincent, pianists Mark G. Meadows and Willerm Delisfort, and singer-songwriter Ami Madeleine

Hillary-Marie began her dance training with Jazz dance at the age of five at her local dance studio in New Jersey, and started studying tap dance at age twelve. By the age of fourteen, she was appearing in eleven shows a week in the pre-professional company ‘Showstoppers’ at the Edwards Nash Theatre. Her studies continued with Karen Callaway Williams, whose credits include Tony Award Nominated Duke Ellington musical Play On! In 2006, Hillary-Marie became a member of the New Jersey Tap Ensemble’s youth company and just three years later became a principal dancer for the company under the direction of Deborah Mitchell. From 2007 until his death in 2013, Hillary-Marie was mentored by and assistant to the Vaudeville legend, Dr. Harold ‘Stumpy’ Cromer, half of the world-famous duet ‘Stump & Stumpy’, sharing bill with the likes of Ella Fitzgerald and Frank Sinatra. 

Hillary-Marie strives to increase public awareness and appreciation of tap dance as an instrument through the universal language of music.